May 6, 1993, La Voz de Aztlan Page 6 |
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/ Page 6— News i May 6, 1993} Edward James Olmos signs autographs for CSUF students after his speaking engagement on'April 13. More than 2,300 attended. H»ctor Amezcua/La Voz By lana Ballinger TiVozStarTWKt Amezcua* Actor Edward James Olmos learned he was a role model at the age of two, when he noticed his little sister mimicking him rnimicking his Older brother. Now he's just waiting for the rest of us to figure it out "What happened to you?" he asked a group of Fresno journalists at a press conference on Tuesday, April 13, before speaking to a sold-out crowd of more than . 2^00 in the North Gym. "Our kids are killing children every single day — kids of all colors, all levels of economic value, all religions," he said. "Drive-by shootings are happening in Wyoming ... and the kid that's shooting the gun is as much the victim as the kid getting the bullet So get your shit to¬ gether." , Olmos visited CSUF as part of the University Lecture Series. "You think I'm the role model because I'm the celebrity, but you're all the role models," he said. "We're all role models and have been for a long time." Calling Olmos "a voice needed in Fresno; as much as Los Angeles," outgoing Mayor Karen Humphrey introduced him and gave him a key to the city. Olmos then proceededTo speak on racial harmony and unconditional love as a ijeans for stopping the cycle of gang violence. On race he said, "I happen to be a mixture thaf s profound in these times. A spokesperson for the Chicano' community, Olmos said he recently found out his name was Hungarian — a revela¬ tion that came as much a shock to him as anyone else. He said his ancestors originally came from Africa by way of Asia, then the indigenous Indian combined with the white man — Spaniards — made him Mexican, hence the brown skin.' "If s frightening," Olmos said. "These are politically unsound concepts." He also said if s important to celebrate our differences. "Chicano pride is as good as African American pride, is as good as Native American pride," Ghana aaid. "I also think we have to realize that we're all from the same family — whether they be black, brown, yellow, red, we're all of the same species. There's only one race and thaf s the human race and we're all different, too." . Racism is unforgivable, he said, "but as soon as you put your own culture before another culture you're doing the same thing they've been doing from the begin¬ ning of time." And, "Unconditional love for children comes in all colors," said Olmos. He said it took our society 250 years to get to this That one person with the broom turned into 20, then 50, then 50,000 people with brooms. "Every single area that had been burned had been touched," he said. "You see, it takes one person in the community, doing what he feels, to make a change." Olmos spoke informally for about 20 minutes, then spent close to three hours answering audience questions. One student asked him why there are no Chicano situation comedies on televi¬ sion. "They only understand orie color and that's green," said Olmos. "If s about dollars, not sense." "You think I'm the role model because I'm the celebrity, but you're all the role models. yVe're all role models and have been for a ise /. y long time." — Edward James Olmos place, so its important to "go back and understand our history, understand our presence." Olmos asked the crowd if they knew how the Los Angeles riots — in which 52 people were killed in 48 hours — ended. "It was the clean-up that actually stopped the turmoil. It wasn't the military, " he said of the end of the single largest conflict on American soil. "What stopped it was a group ot residents who started to clean dp in the middle of the turmoil. "One vato loco got out there on rnorning with a broom... I swear to you, • honest. There were people running through the streets, bullets flying, and there's this vato." Another wanted to know how to get more Chicano films. "By being a^hicano making films," said Olmos, lairghing. "Seriously, the best way to inspire is to honestly go out and do it." Keeping more than 150 speaking engagements a year, Olmos recently acted and made his directorial debut1, in "Ameri¬ can Me", a story which takes a stark look at the life of a Chicano family in East Los Angeles. . Having grown up in the East Los Angeles barrio, Olmos barely escaped the vicious violent cycle of gang life. ». After graduating from Montebello High School, he^ttended East Los Angeles '-£?; College and Graduated from CSU, Los Angeles. In 1980 Olmos received his "big break" and starred as El Pachuco in the theater production of Zoot Suit which ran for two years at the Mark Taper Forum in Los Angeles. For this role he won The Los Angeles Drama Critics Circle Award, a Theatre World Award and a Tony nomination. Olmos starred and associate produced The Ballad of Gregorio Cortez. Originally made for the American Playhouse on PBS, the movie was ulti- ' • mately distributed to theaters. The Ballad of Gregorio Cortez became one of the cornerstones of Chicano studies , and is acknowledged by the American Historical Society as one of the most authentic western's in Hollywood history. Playing Jaime Escalante in Stand and Deliver, Olmos received an Academy Award nomination. For his role as Lieuten¬ ant Castillo on Miami Vice, Olmos won a Globe award and an Emmy Award for Best Supporting Actor in a Drama Series. " He attributes his successes not to a god-given knack for acting or a high I.Q., but hard work. "1 ain't more talented and I ain't smarter than you. 1 didn't come out of my mother's womb saying, 'To be or not to be,'" Olmos said. "But I've been living this dream, I put it in my pocket and I haven't brought it out yet." He says when you do what you love seven days a week, for that long, you get very good at it. "1 love doing what I do," said Olmos. "And I just happened to be pretty good." Several young Chicano men testified that they had no male figure in the home, and said Olmos had served as an example to them. And others wanted to know how he'd escaped a life of wrongdoing, and chose to do good instead. "I had a choice. There are many of us in here who will say they did not have a choice, or that the choices they made they didn't want," he said. , -' '""You can use any excuse you want, but the choice is yours."
Object Description
Title | 1993_05 The Daily Collegian May 1993 |
Alternative Title | Daily Collegian (California State University, Fresno) |
Publisher | Associated Students of Fresno State, Fresno, Calif. |
Publication Date | 1993 |
Description | Daily (except weedends) during the school year. Microfilm. Palo Alto, Calif.: BMI Library Microfilms, 1986- microfilm reels; 35 mm. Vol.1, no.1 (Feb 8, 1922)- |
Subject | California State University, Fresno -- Periodicals. |
Contributors | Associated Students of Fresno State. |
Coverage | Vol.1 no.1 (Feb 8, 1922)- to present |
Format | Microfilm reels, 35 mm. |
Technical Information | Scanned at 600 dpi; TIFF; Microfilm ScanPro 2000 "E-image data" |
Language | eng |
Description
Title | May 6, 1993, La Voz de Aztlan Page 6 |
Alternative Title | Daily Collegian (California State University, Fresno) |
Publisher | Associated Students of Fresno State, Fresno, Calif. |
Publication Date | 1993 |
Description | Daily (except weedends) during the school year. Microfilm. Palo Alto, Calif.: BMI Library Microfilms, 1986- microfilm reels; 35 mm. Vol.1, no.1 (Feb 8, 1922)- |
Subject | California State University, Fresno -- Periodicals. |
Contributors | Associated Students of Fresno State. |
Coverage | Vol.1 no.1 (Feb 8, 1922)- to present |
Format | Microfilm reels, 35 mm. |
Technical Information | Scanned at 600 dpi; TIFF; Microfilm ScanPro 2000 "E-image data" |
Language | eng |
Full-Text-Search | / Page 6— News i May 6, 1993} Edward James Olmos signs autographs for CSUF students after his speaking engagement on'April 13. More than 2,300 attended. H»ctor Amezcua/La Voz By lana Ballinger TiVozStarTWKt Amezcua* Actor Edward James Olmos learned he was a role model at the age of two, when he noticed his little sister mimicking him rnimicking his Older brother. Now he's just waiting for the rest of us to figure it out "What happened to you?" he asked a group of Fresno journalists at a press conference on Tuesday, April 13, before speaking to a sold-out crowd of more than . 2^00 in the North Gym. "Our kids are killing children every single day — kids of all colors, all levels of economic value, all religions," he said. "Drive-by shootings are happening in Wyoming ... and the kid that's shooting the gun is as much the victim as the kid getting the bullet So get your shit to¬ gether." , Olmos visited CSUF as part of the University Lecture Series. "You think I'm the role model because I'm the celebrity, but you're all the role models," he said. "We're all role models and have been for a long time." Calling Olmos "a voice needed in Fresno; as much as Los Angeles," outgoing Mayor Karen Humphrey introduced him and gave him a key to the city. Olmos then proceededTo speak on racial harmony and unconditional love as a ijeans for stopping the cycle of gang violence. On race he said, "I happen to be a mixture thaf s profound in these times. A spokesperson for the Chicano' community, Olmos said he recently found out his name was Hungarian — a revela¬ tion that came as much a shock to him as anyone else. He said his ancestors originally came from Africa by way of Asia, then the indigenous Indian combined with the white man — Spaniards — made him Mexican, hence the brown skin.' "If s frightening," Olmos said. "These are politically unsound concepts." He also said if s important to celebrate our differences. "Chicano pride is as good as African American pride, is as good as Native American pride," Ghana aaid. "I also think we have to realize that we're all from the same family — whether they be black, brown, yellow, red, we're all of the same species. There's only one race and thaf s the human race and we're all different, too." . Racism is unforgivable, he said, "but as soon as you put your own culture before another culture you're doing the same thing they've been doing from the begin¬ ning of time." And, "Unconditional love for children comes in all colors," said Olmos. He said it took our society 250 years to get to this That one person with the broom turned into 20, then 50, then 50,000 people with brooms. "Every single area that had been burned had been touched," he said. "You see, it takes one person in the community, doing what he feels, to make a change." Olmos spoke informally for about 20 minutes, then spent close to three hours answering audience questions. One student asked him why there are no Chicano situation comedies on televi¬ sion. "They only understand orie color and that's green," said Olmos. "If s about dollars, not sense." "You think I'm the role model because I'm the celebrity, but you're all the role models. yVe're all role models and have been for a ise /. y long time." — Edward James Olmos place, so its important to "go back and understand our history, understand our presence." Olmos asked the crowd if they knew how the Los Angeles riots — in which 52 people were killed in 48 hours — ended. "It was the clean-up that actually stopped the turmoil. It wasn't the military, " he said of the end of the single largest conflict on American soil. "What stopped it was a group ot residents who started to clean dp in the middle of the turmoil. "One vato loco got out there on rnorning with a broom... I swear to you, • honest. There were people running through the streets, bullets flying, and there's this vato." Another wanted to know how to get more Chicano films. "By being a^hicano making films," said Olmos, lairghing. "Seriously, the best way to inspire is to honestly go out and do it." Keeping more than 150 speaking engagements a year, Olmos recently acted and made his directorial debut1, in "Ameri¬ can Me", a story which takes a stark look at the life of a Chicano family in East Los Angeles. . Having grown up in the East Los Angeles barrio, Olmos barely escaped the vicious violent cycle of gang life. ». After graduating from Montebello High School, he^ttended East Los Angeles '-£?; College and Graduated from CSU, Los Angeles. In 1980 Olmos received his "big break" and starred as El Pachuco in the theater production of Zoot Suit which ran for two years at the Mark Taper Forum in Los Angeles. For this role he won The Los Angeles Drama Critics Circle Award, a Theatre World Award and a Tony nomination. Olmos starred and associate produced The Ballad of Gregorio Cortez. Originally made for the American Playhouse on PBS, the movie was ulti- ' • mately distributed to theaters. The Ballad of Gregorio Cortez became one of the cornerstones of Chicano studies , and is acknowledged by the American Historical Society as one of the most authentic western's in Hollywood history. Playing Jaime Escalante in Stand and Deliver, Olmos received an Academy Award nomination. For his role as Lieuten¬ ant Castillo on Miami Vice, Olmos won a Globe award and an Emmy Award for Best Supporting Actor in a Drama Series. " He attributes his successes not to a god-given knack for acting or a high I.Q., but hard work. "1 ain't more talented and I ain't smarter than you. 1 didn't come out of my mother's womb saying, 'To be or not to be,'" Olmos said. "But I've been living this dream, I put it in my pocket and I haven't brought it out yet." He says when you do what you love seven days a week, for that long, you get very good at it. "1 love doing what I do," said Olmos. "And I just happened to be pretty good." Several young Chicano men testified that they had no male figure in the home, and said Olmos had served as an example to them. And others wanted to know how he'd escaped a life of wrongdoing, and chose to do good instead. "I had a choice. There are many of us in here who will say they did not have a choice, or that the choices they made they didn't want," he said. , -' '""You can use any excuse you want, but the choice is yours." |