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-A&E Hye Sharzhoom Eleventh Annual Saroyan Festival By Karen Karabian e Sharzhoom Ben Ara^khanian wasoneman i a vision! A vision of unity, aation, and recogrution that sin 1985. Itwastbecelebra- 1 of Fresno County's anmver- f and Ben led a walk through rmenian town." The s and participation was so d that the William Saroyan Festival Committee was formed to r a remarkable literary talent "Saroyan was a persistent r with a style of his own. He ! fast on a bicycle. Saroyan d telegrams on his bike and > first twenty dollars be made was spent on a typewriter. Itwasa time when making a living as a writer was unheard of," Ben re¬ called To mark Saroyan'sriding days, the Festival win feature two days of bicycling for 400 racers. Satur¬ day, May 20, there will be an eight mile course east of town and Sun¬ day, May 21, riders will tackle forty laps around tight city blocks. Other activities include: The Saroyan Armenian Historical Walk on April 29. Thursday and Friday, May 12 and 13, two plays written by William Saroyan will be per¬ formed live on stage at the Laimdromat Performance Space, 1114 N. Fulton—The California Boyhood of William Saroyan'' and "The Best Year in the History of the World" For tickets caD 222- 0674. The committee also sponsors a writing contest for students first grade through college. Treasury bonds are awarded to the winners and their names will be anno* meed on 88.1 FM June 4 at 8:00. On June 26, the Saroyan in the Park Band Concert will take place teginingat6:30atWoodwanlPark. An expected 3,000 will be present to enjoy the festivities. Fifty short stories written by William Saroyan about famous and not so famous people be met will be available only at the Festival. The first obstacle appeared when the com mittee attempted to implement its tradition of activities by publishing a general calendar. This approach was hit and miss since the majority of the public remained unaware of the festivi¬ ties. Recently a public relations man under former Governor George Deukmejian has organized a media guide, mailing list, and press re¬ leases in order to take advantage of the main sources of publicity. Tnf- main nwnty ryinp Ctmiit- man Don Eskender and committee is to ensure thai all events go off smoothly. The committee hopes to expand then activities in the future toencompass as much of the public as possible. They have shown an interest in including adults in the Saroyan writing contest Saroyan is the only writer to receive the prestigious Pulitzer Prize (although he did not accept it) and honored with the Drama Critic Circle Award in the same year. Saroyan's Oscar is on permanent display at the Fresno Met The William Saroyan Festival Committee anticipates a huge tum- out of Armenian and non-Arme¬ nians. 'Tor Saroyan was a famous native son, be was bom in America and became an American writer," said Ben Amirkhanian. The Festival Committee is a way of appreciating Saroyan. Amirkhanian stated, "It represents the deserving recognition for Saroyan's literary works, Broad¬ way plays, and as many as 150 unpublished books yet to be dis¬ covered.'' Armenian Painting Course creates student interest By Sean Clark Hye Sharzhoom What is Armenian art? Art cre¬ ated by Armenians seems like a reasonable answer. However, is an Armenian artist painting New En¬ gland barns creating Armenian art? Perhaps, then, by definition it is art done in Armenia. Would that qualify an Italian artist sketching Armenian churches? Our need to categorize creativity with labels falls short when describing con¬ temporary works. There was how¬ ever, one time-period from which an can be separated and identified as purely Armenian. Manuscript illustration or miniature painting done by Armenian artists, with Armenian scribes, bound by Ar¬ menian bookmakers in Armenia is an excellent window to the origins of Armenian art The earliest frag¬ mented pages beginadramatic pro¬ gression of art and storytelling, beginning from copied works-of- ten of foreign sources-leading to the unique masterpieces of the Ar- This journey was recendy di¬ rected, as a course of study at Cali¬ fornia State University Fresno, by Dr. Dickran Kou ymj ian, Haig & Isabel Berberian Professor of Ar¬ menian Studies. The intensive three-week study incorpecatingfive ceiituries of Armenian Gospel inin- s was only an introduction to nroensity of the subject One d not think the study of manu- s over a millennia old as on- g process, but thereisstill much o be discovered The information s extensive and the trained schol¬ ars are few, therefore the class was encouraged to offer independent points of view. The attendance was composed of students currently enrolled and members of the com - munity-at-large eager to investi¬ gate this rare opportunity of study. The class was assigned the role of the scholar. So much is still unknown about these miniatures that many interpretations are open to fine tuning. We looked at the images deductively and learned from them simultaneously. The dynamic of the course was to be exposed to as many miniatures as possible. The emphasis of indi¬ vidual description was association to time period and other related material. The three week course benefited from these approaches by immersing us in the total schol¬ arly experience. We absorbed and assimilated the material more effi- ciendy than had the format been the normal twelve weeks. Even with the compressed time advantage the amount of data was over and above what can be cov¬ ered in a three unit section. There are over 30,000 known manuscripts with some 5,000 to 7,000 contain¬ ing coe « rnore miniatures. In the first meeting alone, we viewed over one hundred slide reproductions and still barely scratched the surface. Starting from fragments attributed to the late 6th century we discov¬ ered images dated beyond 1,000 AD. The challenge put to us was to find the correlations between im¬ ages, and then relate them to other known sc*raies,whcnterAuiie*iian, Byzantine, Latin or Persian. Indi¬ vidual topics included references to iconography, text, binding, parchment and even Sunday School lessons for the Biblical stories. In all, Dr. Kouymjian covered more information than time would al¬ low. We learned that to our instruc¬ tor Armenian niiniatnre painting was more than a subject to be taught- tnis is his life's work. The slides of the miniatures were photographed by him. Major scholarly studies have been published by him. And the advancement of the field is his focused priority. For us, on the re¬ ceiving end, we drew knowledge directly from the source. It is true that a group of students can be overwhelmed by quantity: over twenty-five years of research do wx condense easily into three week¬ ends. Despite these limitations, the depth and beauty of the miniatures came through, as did Dr. Kouymjian's own passion for these rarities. His efforts continue in a fashion that bespeaks an expertise not often found at the California State University. Beyond the course. Dr. Kouymjian seeks to advance the study of the Armenian Arts. His devotion to manuscript research has put mm on the cutting edge of tech¬ nology. Currendy he is in the midst of initiating the first CD-ROM da¬ tabase of the Index of Armenian Ait, an enormous undertaking un¬ precedented initsbreadth.lt is that kind of vision that Armenian Min¬ iature Painting 121 came out of. ARMENIAN STUDIES PROGRAM FALL 1995 SCHEDULE OF COUftSBJS AnnS 10-Intro Arm Studies 101O1100 MVVF ArmS 10-Intro Arm Studies 0945-1100 ITh Arm S 10-Intro ArmStudies 1245-1400TTh Armenian LA- Elem Arm ni0-1200MrVvT< Arm S 45- W Saroyan 1245-1400 tTh Arm S108A- Arm History I 090O-10CK>MWF Arm S 120T- Arm Film 1816-2200f T ArmS120T-AnnCooldhg 1710-2200 F 0910-1790$ Course meets the weekend of Sept. 29,30 Ann S120T- Arm Church 1710-2200 F 091O4700S V Course meets the weekend of Oct 13,14 V - ; , s Books and Gifts to ASP Gifts to the Armenian Studies 'Program Saha tdjian Library and Avedian Archives Professor Dickran Kouymjian and the Sahatdjian Library of the Armenian Studies Program would like to thank the authors and publishers for the following books and periodicals. Books Beled ian, Krikor, LesArminiens, in the series Fils d*Abraham, Maredsous, Belgium: Editions Brepols, 235 pages with maps andcolorplates. Ahandyover- view of the religious history, literature, and art of Armenia by one of France's leading authorities on Armenian lit¬ erature. Krikor Beledian is Professor of Armenian in Paris and Lyon and a poet Der Mugrdechian, Jr., Bob, for a copy of Volume 5 of the Gantzasar Armenian Theo- logicaJJournal.ThtJoanulis published by the Diocese of the Armenian Apostolic Church of Artsakh. Kamalyan, Seyran, Avon mer achkerov [Avo through Our £yej;,Erevati:NaiTi, 1994,238 account of Monte Melkonian and how he was loved and respected in Armenia and Karabagh. Sbemmassian, Vahram, for an important collection of Arme¬ nian language books on Ar¬ menian history. These books cover a wide period in Arme¬ nian history. Varoujan Mardirian. Sculptures 1985-1994, Beirut, 1994, 95 pages, beautifully illustrated with color and black and white reproductions. Available through Marine Mardirian, 1331 Barrington Way. Glen- dale, CA 91206. A stunning catalogue ofMaruman*ssculp- turesinwood. Whitmore, Jon, William Saroyan. A Research and Production Sourcebook. Westport-Lon- * don: Greenwood Press, 1994, 268 pages. A particularly rich guide to Saroyan's theater with synopses of his major plays. Pull of new information on . production and archival mate¬ rial. Jon Whitmore is Dean of the College of Fine Arts at the University of Texas in Austin and holder of the Effie Marie Cain Regents Chair in Fine Arts. Etian Appointed Peace Corps Director for Armenia Sylva Etian has been appointed to the position of Peace Corps Di¬ rector for Armenia. She has been working in the field of international development since she served as a TEFL volunteer in the Ivory Coast in 1973. From 1990 to 1994 Ms. Etian was employed by the Centers for Diseae Control as a technical advi¬ sor for AIDS and child survival to the Nigerian Ministry of Pubhc Health. From 1983 to 1987 Ms. Etian workedfor TJSATD as the regional director of the Center for Nutri¬ tional Planning, an institute of the Zairian Ministry of Public Health. Ms. Etian is very excited about the challenges of working and tiv- ingin Armenia. She is the daughter of Mr. and Mrs. Hovig Etian of Clovis.
Object Description
Title | 1995_05 The Daily Collegian May 1995 |
Alternative Title | Daily Collegian (California State University, Fresno) |
Publisher | Associated Students of Fresno State, Fresno, Calif. |
Publication Date | 1995 |
Description | Daily (except weedends) during the school year. Microfilm. Palo Alto, Calif.: BMI Library Microfilms, 1986- microfilm reels; 35 mm. Vol.1, no.1 (Feb 8, 1922)- |
Subject | California State University, Fresno -- Periodicals. |
Contributors | Associated Students of Fresno State. |
Coverage | Vol.1 no.1 (Feb 8, 1922)- to present |
Format | Microfilm reels, 35 mm. |
Technical Information | Scanned at 600 dpi; TIFF; Microfilm ScanPro 2000 "E-image data" |
Language | eng |
Description
Title | May 11, 1995, Hye Sharzhoom Page 4 |
Alternative Title | Daily Collegian (California State University, Fresno) |
Publisher | Associated Students of Fresno State, Fresno, Calif. |
Publication Date | 1995 |
Description | Daily (except weedends) during the school year. Microfilm. Palo Alto, Calif.: BMI Library Microfilms, 1986- microfilm reels; 35 mm. Vol.1, no.1 (Feb 8, 1922)- |
Subject | California State University, Fresno -- Periodicals. |
Contributors | Associated Students of Fresno State. |
Coverage | Vol.1 no.1 (Feb 8, 1922)- to present |
Format | Microfilm reels, 35 mm. |
Technical Information | Scanned at 600 dpi; TIFF; Microfilm ScanPro 2000 "E-image data" |
Language | eng |
Full-Text-Search | -A&E Hye Sharzhoom Eleventh Annual Saroyan Festival By Karen Karabian e Sharzhoom Ben Ara^khanian wasoneman i a vision! A vision of unity, aation, and recogrution that sin 1985. Itwastbecelebra- 1 of Fresno County's anmver- f and Ben led a walk through rmenian town." The s and participation was so d that the William Saroyan Festival Committee was formed to r a remarkable literary talent "Saroyan was a persistent r with a style of his own. He ! fast on a bicycle. Saroyan d telegrams on his bike and > first twenty dollars be made was spent on a typewriter. Itwasa time when making a living as a writer was unheard of," Ben re¬ called To mark Saroyan'sriding days, the Festival win feature two days of bicycling for 400 racers. Satur¬ day, May 20, there will be an eight mile course east of town and Sun¬ day, May 21, riders will tackle forty laps around tight city blocks. Other activities include: The Saroyan Armenian Historical Walk on April 29. Thursday and Friday, May 12 and 13, two plays written by William Saroyan will be per¬ formed live on stage at the Laimdromat Performance Space, 1114 N. Fulton—The California Boyhood of William Saroyan'' and "The Best Year in the History of the World" For tickets caD 222- 0674. The committee also sponsors a writing contest for students first grade through college. Treasury bonds are awarded to the winners and their names will be anno* meed on 88.1 FM June 4 at 8:00. On June 26, the Saroyan in the Park Band Concert will take place teginingat6:30atWoodwanlPark. An expected 3,000 will be present to enjoy the festivities. Fifty short stories written by William Saroyan about famous and not so famous people be met will be available only at the Festival. The first obstacle appeared when the com mittee attempted to implement its tradition of activities by publishing a general calendar. This approach was hit and miss since the majority of the public remained unaware of the festivi¬ ties. Recently a public relations man under former Governor George Deukmejian has organized a media guide, mailing list, and press re¬ leases in order to take advantage of the main sources of publicity. Tnf- main nwnty ryinp Ctmiit- man Don Eskender and committee is to ensure thai all events go off smoothly. The committee hopes to expand then activities in the future toencompass as much of the public as possible. They have shown an interest in including adults in the Saroyan writing contest Saroyan is the only writer to receive the prestigious Pulitzer Prize (although he did not accept it) and honored with the Drama Critic Circle Award in the same year. Saroyan's Oscar is on permanent display at the Fresno Met The William Saroyan Festival Committee anticipates a huge tum- out of Armenian and non-Arme¬ nians. 'Tor Saroyan was a famous native son, be was bom in America and became an American writer," said Ben Amirkhanian. The Festival Committee is a way of appreciating Saroyan. Amirkhanian stated, "It represents the deserving recognition for Saroyan's literary works, Broad¬ way plays, and as many as 150 unpublished books yet to be dis¬ covered.'' Armenian Painting Course creates student interest By Sean Clark Hye Sharzhoom What is Armenian art? Art cre¬ ated by Armenians seems like a reasonable answer. However, is an Armenian artist painting New En¬ gland barns creating Armenian art? Perhaps, then, by definition it is art done in Armenia. Would that qualify an Italian artist sketching Armenian churches? Our need to categorize creativity with labels falls short when describing con¬ temporary works. There was how¬ ever, one time-period from which an can be separated and identified as purely Armenian. Manuscript illustration or miniature painting done by Armenian artists, with Armenian scribes, bound by Ar¬ menian bookmakers in Armenia is an excellent window to the origins of Armenian art The earliest frag¬ mented pages beginadramatic pro¬ gression of art and storytelling, beginning from copied works-of- ten of foreign sources-leading to the unique masterpieces of the Ar- This journey was recendy di¬ rected, as a course of study at Cali¬ fornia State University Fresno, by Dr. Dickran Kou ymj ian, Haig & Isabel Berberian Professor of Ar¬ menian Studies. The intensive three-week study incorpecatingfive ceiituries of Armenian Gospel inin- s was only an introduction to nroensity of the subject One d not think the study of manu- s over a millennia old as on- g process, but thereisstill much o be discovered The information s extensive and the trained schol¬ ars are few, therefore the class was encouraged to offer independent points of view. The attendance was composed of students currently enrolled and members of the com - munity-at-large eager to investi¬ gate this rare opportunity of study. The class was assigned the role of the scholar. So much is still unknown about these miniatures that many interpretations are open to fine tuning. We looked at the images deductively and learned from them simultaneously. The dynamic of the course was to be exposed to as many miniatures as possible. The emphasis of indi¬ vidual description was association to time period and other related material. The three week course benefited from these approaches by immersing us in the total schol¬ arly experience. We absorbed and assimilated the material more effi- ciendy than had the format been the normal twelve weeks. Even with the compressed time advantage the amount of data was over and above what can be cov¬ ered in a three unit section. There are over 30,000 known manuscripts with some 5,000 to 7,000 contain¬ ing coe « rnore miniatures. In the first meeting alone, we viewed over one hundred slide reproductions and still barely scratched the surface. Starting from fragments attributed to the late 6th century we discov¬ ered images dated beyond 1,000 AD. The challenge put to us was to find the correlations between im¬ ages, and then relate them to other known sc*raies,whcnterAuiie*iian, Byzantine, Latin or Persian. Indi¬ vidual topics included references to iconography, text, binding, parchment and even Sunday School lessons for the Biblical stories. In all, Dr. Kouymjian covered more information than time would al¬ low. We learned that to our instruc¬ tor Armenian niiniatnre painting was more than a subject to be taught- tnis is his life's work. The slides of the miniatures were photographed by him. Major scholarly studies have been published by him. And the advancement of the field is his focused priority. For us, on the re¬ ceiving end, we drew knowledge directly from the source. It is true that a group of students can be overwhelmed by quantity: over twenty-five years of research do wx condense easily into three week¬ ends. Despite these limitations, the depth and beauty of the miniatures came through, as did Dr. Kouymjian's own passion for these rarities. His efforts continue in a fashion that bespeaks an expertise not often found at the California State University. Beyond the course. Dr. Kouymjian seeks to advance the study of the Armenian Arts. His devotion to manuscript research has put mm on the cutting edge of tech¬ nology. Currendy he is in the midst of initiating the first CD-ROM da¬ tabase of the Index of Armenian Ait, an enormous undertaking un¬ precedented initsbreadth.lt is that kind of vision that Armenian Min¬ iature Painting 121 came out of. ARMENIAN STUDIES PROGRAM FALL 1995 SCHEDULE OF COUftSBJS AnnS 10-Intro Arm Studies 101O1100 MVVF ArmS 10-Intro Arm Studies 0945-1100 ITh Arm S 10-Intro ArmStudies 1245-1400TTh Armenian LA- Elem Arm ni0-1200MrVvT< Arm S 45- W Saroyan 1245-1400 tTh Arm S108A- Arm History I 090O-10CK>MWF Arm S 120T- Arm Film 1816-2200f T ArmS120T-AnnCooldhg 1710-2200 F 0910-1790$ Course meets the weekend of Sept. 29,30 Ann S120T- Arm Church 1710-2200 F 091O4700S V Course meets the weekend of Oct 13,14 V - ; , s Books and Gifts to ASP Gifts to the Armenian Studies 'Program Saha tdjian Library and Avedian Archives Professor Dickran Kouymjian and the Sahatdjian Library of the Armenian Studies Program would like to thank the authors and publishers for the following books and periodicals. Books Beled ian, Krikor, LesArminiens, in the series Fils d*Abraham, Maredsous, Belgium: Editions Brepols, 235 pages with maps andcolorplates. Ahandyover- view of the religious history, literature, and art of Armenia by one of France's leading authorities on Armenian lit¬ erature. Krikor Beledian is Professor of Armenian in Paris and Lyon and a poet Der Mugrdechian, Jr., Bob, for a copy of Volume 5 of the Gantzasar Armenian Theo- logicaJJournal.ThtJoanulis published by the Diocese of the Armenian Apostolic Church of Artsakh. Kamalyan, Seyran, Avon mer achkerov [Avo through Our £yej;,Erevati:NaiTi, 1994,238 account of Monte Melkonian and how he was loved and respected in Armenia and Karabagh. Sbemmassian, Vahram, for an important collection of Arme¬ nian language books on Ar¬ menian history. These books cover a wide period in Arme¬ nian history. Varoujan Mardirian. Sculptures 1985-1994, Beirut, 1994, 95 pages, beautifully illustrated with color and black and white reproductions. Available through Marine Mardirian, 1331 Barrington Way. Glen- dale, CA 91206. A stunning catalogue ofMaruman*ssculp- turesinwood. Whitmore, Jon, William Saroyan. A Research and Production Sourcebook. Westport-Lon- * don: Greenwood Press, 1994, 268 pages. A particularly rich guide to Saroyan's theater with synopses of his major plays. Pull of new information on . production and archival mate¬ rial. Jon Whitmore is Dean of the College of Fine Arts at the University of Texas in Austin and holder of the Effie Marie Cain Regents Chair in Fine Arts. Etian Appointed Peace Corps Director for Armenia Sylva Etian has been appointed to the position of Peace Corps Di¬ rector for Armenia. She has been working in the field of international development since she served as a TEFL volunteer in the Ivory Coast in 1973. From 1990 to 1994 Ms. Etian was employed by the Centers for Diseae Control as a technical advi¬ sor for AIDS and child survival to the Nigerian Ministry of Pubhc Health. From 1983 to 1987 Ms. Etian workedfor TJSATD as the regional director of the Center for Nutri¬ tional Planning, an institute of the Zairian Ministry of Public Health. Ms. Etian is very excited about the challenges of working and tiv- ingin Armenia. She is the daughter of Mr. and Mrs. Hovig Etian of Clovis. |