May 7, 1990, La Voz de Aztlan Page 7 |
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* r\ MAY, 1990 LAVQZDEAZTLAN \ -SVJ FRESNO PAGE 7 Juan Felipe Herrera HERRERA Continued from page 2 Barbara. From 1972 to 1975, he went back to Logan Heights to work in the Chicano community at a cultural center. There he helped develop theaters, poetry organizations and music groups about La Raza. In 1970-1973, he helped with the foundation of Chicano Park in San Diego. He was specifically responsible for placing murals around the park with the help of local Chicano artists. He said. This was an artistic and spritual rebirth for the Chicano. A movement from oppression and segregation to the glorification of the Chicano. It also gave the Chicano community, something tangible, something that we owned." . In 1977, he went back to school at Stanford University. In 1982, he obtained his Masters of Arts in Social Anthropology. He will be receiving his Ph.D. soon in the same field. Herrera, along with his teaching experience at the University of Iowa, has taught at Stanford University, New College in San Francisco, and De Anza Community College in Sunnyvale. He has also lectured on Chicano studies at UC Berkeley and the University of Texas, Austin, as well as on the Ea3t Coast. V I. Herrera has gained national recognition for his work, He received awards from the National Endowment of Arts in 1980 and 1935. "I only mention this to draw attention to other Chicanos who haven't been recognized and are as deserving of these awards as I was then. "I am not the only Chicano writer in the U.S.," he said while remembering the time he received his first award. "I was all dressed up, with no other Chicano faces to look at. I was nervous, but I was proud. When a man of the white persuasion walked up to me aud asked me what nation I was from? I told him that I was from thr- nation of California. "I have two goals, and with the help of the CLS faculty and the voices of the Chicano students, I would like to start a [master's in fine arts| program here." Nationwide, there are 328 MFA programs and less than 5 percent of those deal with Chicano studies. He said that for the last two decades, "the Chicano writer has gone underground, but the "90s will bring out Chicano artists publicly. The Chicano will issue a new challenge to society with our unique and creative style of writing. We will be at the national and international centers of literature circles. "Chicanos will no longer be held down, pushed back, or stiffled. The Chicano voices will be heard around the world and no longer just around the room," Herrera said. Herrera said his plans as CSUF professor includ.- developing a writing workshop here. Education students form group i Krista Lemos LA VOZ STAPF WRITER Last September, six CSUF students set out on the long road to forming, a new organization. March 8 marked the end of their six month trek. After hours of preparation, the first meeting of the Chicano-Latino Education Student Association was supported by wide student interest. Nineteen students attended the introductory meeting. Founders of the organization, Ralph Avitia, Amelia Vasquez, Porfirio Lopez, Daniel Salinas, and Eddie Perez, said they saw a need for an organization which concentrated on students interested in pursuing educational careers. Vasquez said she thought the idea of the group was good because she was lost when she first came to CSUF. She and the others expressed a desire for C.L.E.S.A. to be an avenue of support, guiding students in their academic progress. *•" , " # Perez said the main purpose of C.L.E.S A. is to "guide students" in the process toward graduation. The three original objectives, said Salinas, are to teach survival skills and to provide career tounseling and group support. Workshops, speakers, study teams, and general information are just a few of the planned activities. The organization is very open to change and student input, said Perez. "We don't want to leave any needs untended to." Cecilia Maciel, a psychology major, said at the first meeting. "[C.L.E.S.A.] seems to provide a good support system for anyone involved in education or anyone with similar problems within the academic system," she said. Officers have not been elected, though a constitution and by-laws have been drawn and adopted. Dr.Hisaui,, Garza, a faculty member in the Chicano-Latino Studies Program is the group's advisor. Chicano literature gets exposure i Eloy Garcia LA VOZ ASSISTANT EDITOR "Our voices have not been heard," said Mark Anthony Alvidrez, a senior English major and a member of the new Chicano Writers and Artists Association. CWAA is one of the newest Chicano organization on campus and the only one of its kind. Andres Montoya, a junior history major who co-founded CWAA with Alvidrez, Dan Chacon and Victor Canales said, "When we started this group, our intension was to provide an outlet for Chicano artistic expression. , "There are a lot of Chicano artists out there and they don't have an avenue to express themselves. Because they are Chicanos they are usually locked out of the mainstream literature and art in this country." Chacon, a graduate English major, said, "Being Chicano, our literature is unique and because of that uniqueness, it is not always accepted by the conventional literary circles. So when we started CWAA, we just wanted to give ourselves a forum where we can show each other our work and get it out to the people." Because of the mixed use of language and its subject m atter, Chicano literature has not been fully accepted as true literature. Chacon said, There's a certain amount of conservatism in traditional literature that doesn't like to accept things that are new, things that are different We're saying we don't care, were going to do it anyway. And if weVe not scceptod by literary critics, that"■ okay because were bringing ours directly to the people. "We need to bring this literature out to the people. Let the people evaluate it, let the people reject it, let the people accept it;" Chacon said. Guerilla poetry is a technique CWAA has used this semester to do exactly that. They have held two poetry readings infront of the bookstore. The last reading was held April 25. Some 30 people sat on the steps of the bookstore and listened to poems from members of CWAA as well as that of non-members. "Our concept of guerilla poetry, of going out and taking it to the people has worked great for us this semester," said Chacon. Alvidrez added that the group having regular readings was helping him be more consistent in his, writing. "I've always been writing short stories and poems but this has helped me to be more consistent. The last reading was a weak ago so know I have to produce more. I have to come up with some new material," Alvidrez said. CWAA also held a poetry reading on April 18 as its first official event, where Luis Omar Salinas, considered by many to be theafiodfather of Chicano poetry, Leonard Aaame, an instructor at Fresno City College, and Pedro Ramirez, a former CSUF student read their poetry. As for the future, Chacon said they will continue their style of guerilla poetry. CWAA also plans on putting together a play next year and bringing theater to the people as well. CWAA will also hold workshops where they will bring professional Chicano writers to read students' work and possibly work with them. Another of the'ir goals is to start chapters at the high school and junior college levels. "You'll be surprised how many Chicanos are writing on the the high school *n*d junior college levels," Chacon said. "Chicanos are always writing. Chicanos have a lot to con tribute... the next literary movment that comes out of American literature is going to be Chicano Literature," Chacon said. I WILL. I WILL. • Trees that line the asphalt path S are blooming purple flowers. They smell sweet, like bathroom tissue, perfume, the breath of the woman I love. Soon the flowers will sway in the wind, cropping their peddles, they will sail to the ground, and dot the path. I will walk between the trees the peddles will fall against my body like confetti from God—as if he were celebrating my arrival saying, See? See? See how important you are?" Sunlight will leak through the branches I will be like a movie star a dancer in the spotlight I will extend my arms twirl on my toes dance tike David danced. I don't care who sees me and I will ask many to join me. Sweat will squirm down my body pedals will stick to my face I will be hot and cold naked and clothed in love and not in love with friends and alone Indian and European in all places at one time dancing on my grandmother's cement porch i as red lights race across the treetops and my handcuffed uncle is pushed head-first into the backseat, dancing on the dark river bank with La Llorona and we will swim together in the nude, dancing on the balcony of my apartment * and The Malaysian girls across the path will think I'm nuts, on the too fresh grave of my mother and she will rise from the dead and dance wiftbme too. In The anteroom I will dance on The oak floor; and God, pleased with me, will let me in. by Daniel Chacon
Object Description
Title | 1990_05 The Daily Collegian May 1990 |
Alternative Title | Daily Collegian (California State University, Fresno) |
Publisher | Associated Students of Fresno State, Fresno, Calif. |
Publication Date | 1990 |
Description | Daily (except weedends) during the school year. Microfilm. Palo Alto, Calif.: BMI Library Microfilms, 1986- microfilm reels; 35 mm. Vol.1, no.1 (Feb 8, 1922)- |
Subject | California State University, Fresno -- Periodicals. |
Contributors | Associated Students of Fresno State. |
Coverage | Vol.1 no.1 (Feb 8, 1922)- to present |
Format | Microfilm reels, 35 mm. |
Technical Information | Scanned at 600 dpi; TIFF; Microfilm ScanPro 2000 "E-image data" |
Language | eng |
Description
Title | May 7, 1990, La Voz de Aztlan Page 7 |
Alternative Title | Daily Collegian (California State University, Fresno) |
Publisher | Associated Students of Fresno State, Fresno, Calif. |
Publication Date | 1990 |
Description | Daily (except weedends) during the school year. Microfilm. Palo Alto, Calif.: BMI Library Microfilms, 1986- microfilm reels; 35 mm. Vol.1, no.1 (Feb 8, 1922)- |
Subject | California State University, Fresno -- Periodicals. |
Contributors | Associated Students of Fresno State. |
Coverage | Vol.1 no.1 (Feb 8, 1922)- to present |
Format | Microfilm reels, 35 mm. |
Technical Information | Scanned at 600 dpi; TIFF; Microfilm ScanPro 2000 "E-image data" |
Language | eng |
Full-Text-Search | * r\ MAY, 1990 LAVQZDEAZTLAN \ -SVJ FRESNO PAGE 7 Juan Felipe Herrera HERRERA Continued from page 2 Barbara. From 1972 to 1975, he went back to Logan Heights to work in the Chicano community at a cultural center. There he helped develop theaters, poetry organizations and music groups about La Raza. In 1970-1973, he helped with the foundation of Chicano Park in San Diego. He was specifically responsible for placing murals around the park with the help of local Chicano artists. He said. This was an artistic and spritual rebirth for the Chicano. A movement from oppression and segregation to the glorification of the Chicano. It also gave the Chicano community, something tangible, something that we owned." . In 1977, he went back to school at Stanford University. In 1982, he obtained his Masters of Arts in Social Anthropology. He will be receiving his Ph.D. soon in the same field. Herrera, along with his teaching experience at the University of Iowa, has taught at Stanford University, New College in San Francisco, and De Anza Community College in Sunnyvale. He has also lectured on Chicano studies at UC Berkeley and the University of Texas, Austin, as well as on the Ea3t Coast. V I. Herrera has gained national recognition for his work, He received awards from the National Endowment of Arts in 1980 and 1935. "I only mention this to draw attention to other Chicanos who haven't been recognized and are as deserving of these awards as I was then. "I am not the only Chicano writer in the U.S.," he said while remembering the time he received his first award. "I was all dressed up, with no other Chicano faces to look at. I was nervous, but I was proud. When a man of the white persuasion walked up to me aud asked me what nation I was from? I told him that I was from thr- nation of California. "I have two goals, and with the help of the CLS faculty and the voices of the Chicano students, I would like to start a [master's in fine arts| program here." Nationwide, there are 328 MFA programs and less than 5 percent of those deal with Chicano studies. He said that for the last two decades, "the Chicano writer has gone underground, but the "90s will bring out Chicano artists publicly. The Chicano will issue a new challenge to society with our unique and creative style of writing. We will be at the national and international centers of literature circles. "Chicanos will no longer be held down, pushed back, or stiffled. The Chicano voices will be heard around the world and no longer just around the room," Herrera said. Herrera said his plans as CSUF professor includ.- developing a writing workshop here. Education students form group i Krista Lemos LA VOZ STAPF WRITER Last September, six CSUF students set out on the long road to forming, a new organization. March 8 marked the end of their six month trek. After hours of preparation, the first meeting of the Chicano-Latino Education Student Association was supported by wide student interest. Nineteen students attended the introductory meeting. Founders of the organization, Ralph Avitia, Amelia Vasquez, Porfirio Lopez, Daniel Salinas, and Eddie Perez, said they saw a need for an organization which concentrated on students interested in pursuing educational careers. Vasquez said she thought the idea of the group was good because she was lost when she first came to CSUF. She and the others expressed a desire for C.L.E.S.A. to be an avenue of support, guiding students in their academic progress. *•" , " # Perez said the main purpose of C.L.E.S A. is to "guide students" in the process toward graduation. The three original objectives, said Salinas, are to teach survival skills and to provide career tounseling and group support. Workshops, speakers, study teams, and general information are just a few of the planned activities. The organization is very open to change and student input, said Perez. "We don't want to leave any needs untended to." Cecilia Maciel, a psychology major, said at the first meeting. "[C.L.E.S.A.] seems to provide a good support system for anyone involved in education or anyone with similar problems within the academic system," she said. Officers have not been elected, though a constitution and by-laws have been drawn and adopted. Dr.Hisaui,, Garza, a faculty member in the Chicano-Latino Studies Program is the group's advisor. Chicano literature gets exposure i Eloy Garcia LA VOZ ASSISTANT EDITOR "Our voices have not been heard," said Mark Anthony Alvidrez, a senior English major and a member of the new Chicano Writers and Artists Association. CWAA is one of the newest Chicano organization on campus and the only one of its kind. Andres Montoya, a junior history major who co-founded CWAA with Alvidrez, Dan Chacon and Victor Canales said, "When we started this group, our intension was to provide an outlet for Chicano artistic expression. , "There are a lot of Chicano artists out there and they don't have an avenue to express themselves. Because they are Chicanos they are usually locked out of the mainstream literature and art in this country." Chacon, a graduate English major, said, "Being Chicano, our literature is unique and because of that uniqueness, it is not always accepted by the conventional literary circles. So when we started CWAA, we just wanted to give ourselves a forum where we can show each other our work and get it out to the people." Because of the mixed use of language and its subject m atter, Chicano literature has not been fully accepted as true literature. Chacon said, There's a certain amount of conservatism in traditional literature that doesn't like to accept things that are new, things that are different We're saying we don't care, were going to do it anyway. And if weVe not scceptod by literary critics, that"■ okay because were bringing ours directly to the people. "We need to bring this literature out to the people. Let the people evaluate it, let the people reject it, let the people accept it;" Chacon said. Guerilla poetry is a technique CWAA has used this semester to do exactly that. They have held two poetry readings infront of the bookstore. The last reading was held April 25. Some 30 people sat on the steps of the bookstore and listened to poems from members of CWAA as well as that of non-members. "Our concept of guerilla poetry, of going out and taking it to the people has worked great for us this semester," said Chacon. Alvidrez added that the group having regular readings was helping him be more consistent in his, writing. "I've always been writing short stories and poems but this has helped me to be more consistent. The last reading was a weak ago so know I have to produce more. I have to come up with some new material," Alvidrez said. CWAA also held a poetry reading on April 18 as its first official event, where Luis Omar Salinas, considered by many to be theafiodfather of Chicano poetry, Leonard Aaame, an instructor at Fresno City College, and Pedro Ramirez, a former CSUF student read their poetry. As for the future, Chacon said they will continue their style of guerilla poetry. CWAA also plans on putting together a play next year and bringing theater to the people as well. CWAA will also hold workshops where they will bring professional Chicano writers to read students' work and possibly work with them. Another of the'ir goals is to start chapters at the high school and junior college levels. "You'll be surprised how many Chicanos are writing on the the high school *n*d junior college levels," Chacon said. "Chicanos are always writing. Chicanos have a lot to con tribute... the next literary movment that comes out of American literature is going to be Chicano Literature," Chacon said. I WILL. I WILL. • Trees that line the asphalt path S are blooming purple flowers. They smell sweet, like bathroom tissue, perfume, the breath of the woman I love. Soon the flowers will sway in the wind, cropping their peddles, they will sail to the ground, and dot the path. I will walk between the trees the peddles will fall against my body like confetti from God—as if he were celebrating my arrival saying, See? See? See how important you are?" Sunlight will leak through the branches I will be like a movie star a dancer in the spotlight I will extend my arms twirl on my toes dance tike David danced. I don't care who sees me and I will ask many to join me. Sweat will squirm down my body pedals will stick to my face I will be hot and cold naked and clothed in love and not in love with friends and alone Indian and European in all places at one time dancing on my grandmother's cement porch i as red lights race across the treetops and my handcuffed uncle is pushed head-first into the backseat, dancing on the dark river bank with La Llorona and we will swim together in the nude, dancing on the balcony of my apartment * and The Malaysian girls across the path will think I'm nuts, on the too fresh grave of my mother and she will rise from the dead and dance wiftbme too. In The anteroom I will dance on The oak floor; and God, pleased with me, will let me in. by Daniel Chacon |