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May 1999 Hye Sharzhoom-20th Anniversary 3 Hovannisian Introduces New Book By Matthew Maroot Staff Writer One of the world's foremost experts on Armenian History, Dr. Richard Hovannisian, spoke Thursday, April 8, 1999 on the occasion ofthe publication of his latest work, Remembrance and Denial: The Case ofthe Armenian Genocide. Dr. Hovannisian holds the AEF Chair of Modern Armenian History at UCLA where he has taught for over 35 years. According to Dr. Kouymjian, "Richard Hovannisian has shown us what ought to be done and what can be done with the study of Armenian History.. .He has been a tireless champion of bringing the truth forward, on the Genocide and on fighting against the denial and the negation ofthe Genocide." According to Wayne State University Press, the publisher of Dr. Hovannisian's latest work, Remembrance and Denial "squarely confronts the denial of the Armenian Genocide by the Turkish government, which has expended considerable political and financial resources to repress the facts surrounding this event and even enlisted American and European pseudo-academics to neutralize the issue." Among the many contributors to this volume are Stephan Astourian, Ara Sarafian, Hilmar Kaiser and Levon Marashlian, all active participants in the study of the Armenian Genocide. Hovannisian's latest work details the Armenian Genocide in a new light by revealing many issues surrounding the Genocide which have gone largely unpublished. In his book Hovannisian draws a strong comparison with the Holocaust, in addition to an extensive Dr. Richard Hovannisian discussion which explores the denial ofthe Armenian Genocide by the Turkish government, quite possibly the most damaging wound left by the Genocide of 1915-1923. "We are in what I would say the struggle of remembrance against forgetting," Dr. Hovannisian said. "The way to keep the battle going is through remembrance because as long as you remember and as long as you can make other people remember, then the struggle goes on." Dr. Hovannisian stated that the study and the openness in speaking about the Genocide only began in the mid-1960s, some 50 years after the massacres took place. He believes this is because the Armenians who experienced the Genocide firsthand internalized much of their grief as they spent all of their energy on putting their lives back together. Thus, it was not until the children of the victims came of age that Genocide discussion became more prominent and political activity on this issue began. Another factor for the internalization of the terrors of the Genocide came from what Dr. Hovannisian called a rush to assimilation. As Armenians fled their homeland and settled throughout the world, they were forced to repress their heritage, culture and history in order to become more quickly assimilated into their new cultures. Dr. Hovannisian's work provides a firm platform on which Armenians can continue their undying quest to gain recognition for the heinous events of 1915-1923. More than 1.5 million Armenians lost their lives in the first Genocide ofthe twentieth century, yet many, including the Turkish government, continue to deny its very occurrence. Fortunately, however, the work of Dr. Richard Hovannisian has not only helped keep the Genocide on the minds and in the hearts of those who remember its horrors all too well, but more importantly has served as a powerful reminder to those who have heretofore ignored the Genocide or failed to honor its victims. Armenians and the Internet By Ara Mekhitarian Staff Writer You don't believe Armenia is the most beautiful place in the world? Armscape.com says check out their "Beauty of Armenia" section, and you will change your mind. These two web sites are just a couple of the very interesting Armenian web sites I have explored. Both sites are filled with current Armenian news, pictures and so much more. Whether you are looking to learn more about Armenia and Armenians, or just want to chat and read some funny Armenian jokes, log on to these sites and you'll find what your looking for. Armscape Students Gain Interest in Armenian Art ARMSCAPE® Your favorite corner on the Web It* wouUttkt 10 Ikanlr.. •MuifcJ&JUA Hfemiutemli A1IMSCAPL' SPOTLIGHT Aimvnia H catod • Minwum und« open ■■ AvUata and wyw, chwch#» »nd moAMttt** mt apt fad •> own Armenia and Katahwjh S*a lha original phtttoa mada by ow frianda than 700 p data aah of Hovhanna* A**a/ovafcy Martiroa Satyan. Mmaa Avatatan. Gavoto, BasMnjagyan and otftaia Address: http://armscape.com/ Maintained by: Armscape.com Supported by: Spyur Information Service Categories: News from Armenia, Enterprises and Organizations, Armenian Rugs and Carpets, Armenian Churches, Armenian Painters, 1700 Years of Christianity, Beauty of Armenia, Armenian Links. How to use: All categories and subcategories are posted on the left hand side of the page, simply click on the section where you would like to go. Comments: Armscape is a very professional looking web site. Its offers tons of information on Armenian Churches, Painters, Rugs and Carpets. Also, it has a section on the "1700 years of adopting Christianity in Armenia" and the big celebration in 2001. Through Armscape, you can even subscribe to get your free weekly digest of news'from'Armenia'. Hve Toon ££fe&ui& Address: http://www.euroway.com/HayTun/ Maintained by: Hye Toon Supported by: valueclick.com Categories: News, Chat, History, Culture, Religion, Education, Politics, Business, Travel, Organizations, Entertainment, Sports, JReGipesv^Mis- cellaneous. How to use: Easy to use navigation pop down menu on the left hand side of the page. Comments: Hye Toon has everything from Armenian Recipes to Businesses. There you can search for any info related to Armenia, submit your own entries, and even chat in there own Chat Room. Over all its a well developed site, and definitely worth the visit. By Matthew Maroot Staff Writer For three consecutiVe weekends beginning Friday, February 26, 1999, 35 Fresno State students undertook an intensive study of one ofthe most cherished aspects ofthe Armenian culture, Armenian miniature painting. In this three-unit-course titled, Armenian Studies 121: Armenian Miniature Painting, taught by Dr. Dickran Kouymjian, Haig and Isabel Berberian Professor of Armenian Studies, students had the opportunity to gain an in-depth knowledge of Armenian painting through the presentation of hundreds of color slide illustrations of miniature paintings, also known as illuminated manuscripts. Many students took advantage of this weekend course to gain a greater appreciation of Armenian art. In fact, enrollment far surpassed that of previous offerings of this specialized upper-division course. "I was pleased but also surprised. Why all ofthe sudden 35 students in an upper-division specialized three-credit course in medieval Armenian miniature painting?" asked Dr. Kouymjian. While the answer to that question may not have been obvious, student appreciation for the study of Armenian painting certainly was. Through quick, yet thorough ex planation, Dr. Kouymjian covered the development of Armenian miniature painting from its beginnings in the sixth century up through its Golden Age and beyond the eighteenth century. In addition, he also made numerous comparisons to other contemporary works along the way including examples in Byzantine, Syrian, Islamic and Western art. Dr. Kouymjian's ability to explain the topic of Armenian art to students with relatively little background in art history was remarkable. By the end of the three- week session, students not only gained a greater understanding of Armenian art, but a working knowledge of the study of art history as well. In addition to studying the iconographical elements of various illuminated manuscripts, students also learned how a manuscript is copied and bound and how its contents are arranged. Dr. Kouymjian also spoke extensively about the major repositories of Armenian manuscripts throughout the world including the Matenadaran in Erevan, and other centers such as the Patriarchate of Jerusalem and the Mekhitarist Brotherhood in Venice. "This information will prove valuable when they [students] visit the great museums of the world and come before medieval Italian and Renaissance paintings, whose subject mat ter is predominantly Christian," Dr. Kouymjian said. With Armenian Studies20: The Arts of Armenia, the prerequisite course to Armenian Studies 121, becoming part of the Fresno State decade Professor Thomas Mathews has been teaching Armenian iconography at the Art Institute of New York University and has seen some brilliant younger scholars through their Ph.D. in art history Participants in the Armenian Painting course revised General Education Program, interest in Armenian art will undoubtedly grow. It may also influence what Dr. Kouymjian describes as a growing interest in this area of study. "No one taught Armenian art in this country when I began doing it upon my arrival from Paris in 1977. Now we have an endowed chair in Armenian art at Tufts University headed by Professor Lucy Der Manuelian, and for more than a with an emphasis on Armenian art," Dr. Kouymjian said. When I started it was much neglected, now there is a greater interest in it and publications have been flowing from scholars in Europe and the United States as well as from Erevan. The important thing is to bring an awareness of an incredible cultural legacy to students who simply did not know of its very existence" Dr. Kouymjian said. Dr. Kouymjian recognizes the complexities in teaching a subject about which most students have very little prior knowledge. However, he takes that challenge in stride. "Though they could probably recognize an eleventh century Armenian primitive or a painting by T'oros Roslin [a famous thirteenth century Armenian painter] pretty easily, the irony is that most students have never had another art history course and probably couldn't tell a Duccio from a Rubens. Yet, they can identify the subjects .these latter painters used in their works," Dr. Kouymjian said. While students who do not pursue any further study in the area of Armenian art may not remember all ofthe manuscripts they viewed over this three-weekend course, Dr. Kouymjian is confident that they will remember many other valuable lessons. "In short, through Armenian miniature painting, students have learned the language and content of all Christian painting," Dr. Kouymjian said. "What is certain is that they will know forever that Armenians had a rich and complex tradition of manuscript painting, that such information is available through monographic studies and exhibition catalogues and that Armenian art is extremely important to the early history of Christian art."
Object Description
Title | 1999_05 Hye Sharzhoom Newspaper May 1999 |
Alternative Title | Armenian Action, Vol. 20 No. 4, May 1999; Ethnic Supplement to the Collegian. |
Publisher | Armenian Studies Program, California State University, Fresno. |
Publication Date | 1999 |
Description | Published two to four times a year. The newspaper of the California State University, Fresno Armenian Students Organization and Armenian Studies Program. |
Subject | California State University, Fresno – Periodicals. |
Contributors | Armenian Studies Program; Armenian Students Organization, California State University, Fresno. |
Coverage | 1979-2014 |
Format | Newspaper print |
Language | eng |
Full-Text-Search | Scanned at 200-360 dpi, 18-bit greyscale - 24-bit color, TIFF or PDF. PDFs were converted to TIF using Adobe Acrobat 9 Pro. |
Description
Title | May 1999 Page 3 |
Full-Text-Search | May 1999 Hye Sharzhoom-20th Anniversary 3 Hovannisian Introduces New Book By Matthew Maroot Staff Writer One of the world's foremost experts on Armenian History, Dr. Richard Hovannisian, spoke Thursday, April 8, 1999 on the occasion ofthe publication of his latest work, Remembrance and Denial: The Case ofthe Armenian Genocide. Dr. Hovannisian holds the AEF Chair of Modern Armenian History at UCLA where he has taught for over 35 years. According to Dr. Kouymjian, "Richard Hovannisian has shown us what ought to be done and what can be done with the study of Armenian History.. .He has been a tireless champion of bringing the truth forward, on the Genocide and on fighting against the denial and the negation ofthe Genocide." According to Wayne State University Press, the publisher of Dr. Hovannisian's latest work, Remembrance and Denial "squarely confronts the denial of the Armenian Genocide by the Turkish government, which has expended considerable political and financial resources to repress the facts surrounding this event and even enlisted American and European pseudo-academics to neutralize the issue." Among the many contributors to this volume are Stephan Astourian, Ara Sarafian, Hilmar Kaiser and Levon Marashlian, all active participants in the study of the Armenian Genocide. Hovannisian's latest work details the Armenian Genocide in a new light by revealing many issues surrounding the Genocide which have gone largely unpublished. In his book Hovannisian draws a strong comparison with the Holocaust, in addition to an extensive Dr. Richard Hovannisian discussion which explores the denial ofthe Armenian Genocide by the Turkish government, quite possibly the most damaging wound left by the Genocide of 1915-1923. "We are in what I would say the struggle of remembrance against forgetting," Dr. Hovannisian said. "The way to keep the battle going is through remembrance because as long as you remember and as long as you can make other people remember, then the struggle goes on." Dr. Hovannisian stated that the study and the openness in speaking about the Genocide only began in the mid-1960s, some 50 years after the massacres took place. He believes this is because the Armenians who experienced the Genocide firsthand internalized much of their grief as they spent all of their energy on putting their lives back together. Thus, it was not until the children of the victims came of age that Genocide discussion became more prominent and political activity on this issue began. Another factor for the internalization of the terrors of the Genocide came from what Dr. Hovannisian called a rush to assimilation. As Armenians fled their homeland and settled throughout the world, they were forced to repress their heritage, culture and history in order to become more quickly assimilated into their new cultures. Dr. Hovannisian's work provides a firm platform on which Armenians can continue their undying quest to gain recognition for the heinous events of 1915-1923. More than 1.5 million Armenians lost their lives in the first Genocide ofthe twentieth century, yet many, including the Turkish government, continue to deny its very occurrence. Fortunately, however, the work of Dr. Richard Hovannisian has not only helped keep the Genocide on the minds and in the hearts of those who remember its horrors all too well, but more importantly has served as a powerful reminder to those who have heretofore ignored the Genocide or failed to honor its victims. Armenians and the Internet By Ara Mekhitarian Staff Writer You don't believe Armenia is the most beautiful place in the world? Armscape.com says check out their "Beauty of Armenia" section, and you will change your mind. These two web sites are just a couple of the very interesting Armenian web sites I have explored. Both sites are filled with current Armenian news, pictures and so much more. Whether you are looking to learn more about Armenia and Armenians, or just want to chat and read some funny Armenian jokes, log on to these sites and you'll find what your looking for. Armscape Students Gain Interest in Armenian Art ARMSCAPE® Your favorite corner on the Web It* wouUttkt 10 Ikanlr.. •MuifcJ&JUA Hfemiutemli A1IMSCAPL' SPOTLIGHT Aimvnia H catod • Minwum und« open ■■ AvUata and wyw, chwch#» »nd moAMttt** mt apt fad •> own Armenia and Katahwjh S*a lha original phtttoa mada by ow frianda than 700 p data aah of Hovhanna* A**a/ovafcy Martiroa Satyan. Mmaa Avatatan. Gavoto, BasMnjagyan and otftaia Address: http://armscape.com/ Maintained by: Armscape.com Supported by: Spyur Information Service Categories: News from Armenia, Enterprises and Organizations, Armenian Rugs and Carpets, Armenian Churches, Armenian Painters, 1700 Years of Christianity, Beauty of Armenia, Armenian Links. How to use: All categories and subcategories are posted on the left hand side of the page, simply click on the section where you would like to go. Comments: Armscape is a very professional looking web site. Its offers tons of information on Armenian Churches, Painters, Rugs and Carpets. Also, it has a section on the "1700 years of adopting Christianity in Armenia" and the big celebration in 2001. Through Armscape, you can even subscribe to get your free weekly digest of news'from'Armenia'. Hve Toon ££fe&ui& Address: http://www.euroway.com/HayTun/ Maintained by: Hye Toon Supported by: valueclick.com Categories: News, Chat, History, Culture, Religion, Education, Politics, Business, Travel, Organizations, Entertainment, Sports, JReGipesv^Mis- cellaneous. How to use: Easy to use navigation pop down menu on the left hand side of the page. Comments: Hye Toon has everything from Armenian Recipes to Businesses. There you can search for any info related to Armenia, submit your own entries, and even chat in there own Chat Room. Over all its a well developed site, and definitely worth the visit. By Matthew Maroot Staff Writer For three consecutiVe weekends beginning Friday, February 26, 1999, 35 Fresno State students undertook an intensive study of one ofthe most cherished aspects ofthe Armenian culture, Armenian miniature painting. In this three-unit-course titled, Armenian Studies 121: Armenian Miniature Painting, taught by Dr. Dickran Kouymjian, Haig and Isabel Berberian Professor of Armenian Studies, students had the opportunity to gain an in-depth knowledge of Armenian painting through the presentation of hundreds of color slide illustrations of miniature paintings, also known as illuminated manuscripts. Many students took advantage of this weekend course to gain a greater appreciation of Armenian art. In fact, enrollment far surpassed that of previous offerings of this specialized upper-division course. "I was pleased but also surprised. Why all ofthe sudden 35 students in an upper-division specialized three-credit course in medieval Armenian miniature painting?" asked Dr. Kouymjian. While the answer to that question may not have been obvious, student appreciation for the study of Armenian painting certainly was. Through quick, yet thorough ex planation, Dr. Kouymjian covered the development of Armenian miniature painting from its beginnings in the sixth century up through its Golden Age and beyond the eighteenth century. In addition, he also made numerous comparisons to other contemporary works along the way including examples in Byzantine, Syrian, Islamic and Western art. Dr. Kouymjian's ability to explain the topic of Armenian art to students with relatively little background in art history was remarkable. By the end of the three- week session, students not only gained a greater understanding of Armenian art, but a working knowledge of the study of art history as well. In addition to studying the iconographical elements of various illuminated manuscripts, students also learned how a manuscript is copied and bound and how its contents are arranged. Dr. Kouymjian also spoke extensively about the major repositories of Armenian manuscripts throughout the world including the Matenadaran in Erevan, and other centers such as the Patriarchate of Jerusalem and the Mekhitarist Brotherhood in Venice. "This information will prove valuable when they [students] visit the great museums of the world and come before medieval Italian and Renaissance paintings, whose subject mat ter is predominantly Christian," Dr. Kouymjian said. With Armenian Studies20: The Arts of Armenia, the prerequisite course to Armenian Studies 121, becoming part of the Fresno State decade Professor Thomas Mathews has been teaching Armenian iconography at the Art Institute of New York University and has seen some brilliant younger scholars through their Ph.D. in art history Participants in the Armenian Painting course revised General Education Program, interest in Armenian art will undoubtedly grow. It may also influence what Dr. Kouymjian describes as a growing interest in this area of study. "No one taught Armenian art in this country when I began doing it upon my arrival from Paris in 1977. Now we have an endowed chair in Armenian art at Tufts University headed by Professor Lucy Der Manuelian, and for more than a with an emphasis on Armenian art," Dr. Kouymjian said. When I started it was much neglected, now there is a greater interest in it and publications have been flowing from scholars in Europe and the United States as well as from Erevan. The important thing is to bring an awareness of an incredible cultural legacy to students who simply did not know of its very existence" Dr. Kouymjian said. Dr. Kouymjian recognizes the complexities in teaching a subject about which most students have very little prior knowledge. However, he takes that challenge in stride. "Though they could probably recognize an eleventh century Armenian primitive or a painting by T'oros Roslin [a famous thirteenth century Armenian painter] pretty easily, the irony is that most students have never had another art history course and probably couldn't tell a Duccio from a Rubens. Yet, they can identify the subjects .these latter painters used in their works," Dr. Kouymjian said. While students who do not pursue any further study in the area of Armenian art may not remember all ofthe manuscripts they viewed over this three-weekend course, Dr. Kouymjian is confident that they will remember many other valuable lessons. "In short, through Armenian miniature painting, students have learned the language and content of all Christian painting," Dr. Kouymjian said. "What is certain is that they will know forever that Armenians had a rich and complex tradition of manuscript painting, that such information is available through monographic studies and exhibition catalogues and that Armenian art is extremely important to the early history of Christian art." |